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The pair of releases shared so far by the group Ashnymph resist simple labeling: the band's own tag of their work as “subconscioussion” leaves listeners guessing. The first single Saltspreader combined a heavy mechanical drumming – bandmember Will Wiffen has at times appeared on stage in a tee that displays the emblem of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar riff that subtly echoes the classic Stooges track I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. The planned result, the trio have suggested, was to evoke motorway travel, “the grinding circulation of vehicles all day long over huge distances … nighttime orange glows”.

The subsequent track, Mr Invisible, occupies a space between dance music and left-field alt-rock. On one hand, the cut's tempo, layers of hypnotic electronics, and lyrics that appear either hallucinogenically distorted or hypnotically looped in a way that brings back the classic Underworld album era all suggest the dancefloor. Conversely, its powerful concert-like energy, edge-of-chaos quality and overdrive – “making everything sound crunchy is a lifelong ambition,” Wiffen noted – distinguish it as clearly a group effort rather than a solitary home producer. They've gigged around the independent music circuit in south London for a short time, “anywhere that will turn the PA up loud”.

But the two tracks are vibrant and distinct – from one another and contemporary releases – to prompt questions about Ashnymph's upcoming moves. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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